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Pat Allatt is Professor Emeritus of Sociology at the University of Teesside, U.K.Tim Dant is Senior Lecturer in Sociology at the University of East Anglia, U.K.Carolyn Dixon is a researcher and an independent artist.John Donnelly is Senior Lecturer in the Sociology and Criminology Division at the University of Northumbria, U.K.Alan Felstead is Professor of Employment Studies at the Centre for Labour Market Studies at the University of Leicester, U.K.Barbara Harrison is Professor of Sociology at the University of East London, U.K.Rosalind Hurworth is Director of the Centre for Program Evaluation within the Faculty of Education at the University of Melbourne, Australia.Nick Jewson is Senior Lecturer at the Centre for Labour Market Studies at the University of Leicester, U.K.John Martin is Principal Lecturer in Economic and Social History at De Montfort University, U.K.Ruth Martin was the Research Assistant for the “Asian Leicester” project.Sarah Pink is Senior Lecturer in the Department of Social Sciences at the University of Loughborough, U.K.Christopher Pole is a Reader in the Department of Sociology at the University of Leicester, U.K.Andrea Raggl is a Research Assistant in the Department of Teacher Education and School Research at the University of Innsbruck, Austria.Michael Schratz is Professor of Education at the Department of Teacher Education and School Research of the University of Innsbruck, Austria.Matt Smith is a Lecturer in the Sociology and Criminology Division at the University of Northumbria, U.K.Sally Walters is a Research Fellow at the Centre for Labour Market Studies at the University of Leicester, U.K.

In all its stages, qualitative research inhabits a visible world. Yet the use of visual data across the life of a research project is a visual span seldom considered in the methodological literature (Albrecht, 1985; Brannen, 2002). From a study largely based on observation and interviews in which visual data did not feature at the outset, we illustrate this longer perspective by focussing on two aspects of span. One refers to the inclusion of visual data throughout a project, from the search for a research setting to the final stage of dissemination. The other concerns the more frequent approach that includes a mix of visual methods, ranging from visual documents of film and photographs (Denzin, 1989) to other visual images and sights fleetingly observed. We argue that to use our eyes in the peripheral as well as the central data gathering stages, and to glean data from what is incidentally noticed as well as harvested with specific visual tools, generate an extended sociological understanding. The visual widens the window on the world of those being studied, bringing the intricacies of their lives closer to both researcher and audience. In this latter regard, we note the value of visual data at the dissemination stage, particularly for audiences of practitioners and those with interests in policy formation.